Showing posts with label La Paz. Show all posts
Showing posts with label La Paz. Show all posts

Planes tras la Puerta

























¿Por qué vivo en Dhaka? ¿Será que prefiero el ácido sabor del entremés en Noakhali o los dulces de Bogra? ¿O será la dicha de tener tantos snack bar y cafeterías disponibles en las calles de Dhaka? ¡Más bien es la sensación de vivir en comunidad y poderlo contar; de disfrutar la inagotable alegría de la gente, dejando atrás el individualismo y centrándome en establecer una mejor conexión con lo humano!

Es el ir y venir de las cosas aquí, la amplia sabiduría de su gente y el hecho de que todo lo que hay que hacer es disfrutar de la vida hasta cansarse; aunque siento que es mucho más simple culpar a Rosmary y de hecho lo hago.

No obstante, escucho la voz de mi conciencia, susurrando consejos tras la puerta.

Es 2005 y estoy por terminar la clase de inglés para doctores, justo a las 9:00 de la noche. Las multitudes se han retirado a esta hora de la avenida Arce; las Aymaran, con sus amplias faldas y sombreros típicos ya están en casa, mientras los hombres regresan del trabajo y hasta los pequeños limpiabotas –que enmascaran su identidad con balaclavas- pues ser limpiabotas en La Paz, Bolivia, no es cosa para enorgullecerse, han llegado ya a su lugar de reposo del cansancio del día.

Mi clase es la última del día y, como siempre, el director del instituto me espera en el pasillo. Al salir me pide que lo espere, mientras se esfuerza en cerrar con cadena y candado la vieja casona, pintada de un blanco y marrón desteñidos, con apenas tres árboles custodiando el sendero del patio. Al mismo tiempo que conecta la alarma, me cuenta alguna anécdota con un ingenioso juego de palabras de doble sentido. Mis estudiantes, profesionales durante el día, deambulan entreteniéndose por el camino hacia la calle.

Carlos es el único médico en el grupo de los doctores, es un gran humorista que durante las clases, cambia sus oraciones de: “I went to the city yesterday” (Fui a la ciudad ayer) a “I went to the city last week” (Fui a la ciudad la semana pasada) por no estar seguro de cómo pronunciar “yesterday”. Por otro lado, Remy está pensativa, es la dentista de las colinas del este de la ciudad, que me trae manzanas o galletas, no como soborno, pues siempre obtiene la máxima puntuación. Y Marina, mi hostelera, presente siempre que no está tejiendo para alguna lejana cooperativa.

Y también Silvia, que vive en el sur y habla un inglés fluido y suave como la seda, usando su Salmar Kameez, porque le gusta –aunque no es tradicional- y no se deja incomodar por las reglas lingüísticas ni gramáticas. Eso me gusta de ella, su audacia y bravuconería para comunicarse, a pesar de todo. Y como su profesor, supongo que no debería estar de acuerdo, sin embargo me gusta. ¡Soy la señora Mumbai! me dice, adoptando el seudónimo con un aire excitante y libre, desde su primer viaje a Mumbai, ¡y ciertamente ella es la señora Mumbai para mí!, no hay otra como ella.

Carlos se monta en su motocicleta, listo para irse, pero esperando por su esposa Rosmary, ella completa el grupo de estudiantes.


Es 2005 y por culpa del candado están todos entretenidos. Robert hace una mueca, enredado con la cadena y el candado, tratando de cerrarlo a toda costa; me pide que lo intente y lo hago mientras todos hablan. Cualquiera pensaría que estarían cansados -después de una hora y media recibiendo inglés- pero al final de la clase, el español emerge liberado de su prisión y con más energía, como un toro bravo que sale al ruedo.

Marina se ríe de algo que dijo Silvia, Rosmary explica como su suegra no quiere saber nada de motocicletas, así que ella la vigila para que al menor descuido, Carlos la guarde dentro del apartamento. No debería estar escribiendo esto, pero me tomo la libertad porque la madre de Carlos no entiende el inglés y este artículo se publicará –además- al otro lado del mundo. Remy comenta sobre la remodelación de su cuarto de baño, los colores de los azulejos o de sus prácticas de baile. Les puedo comentar de esto, solo por algunas frases que me traducen o las pocas que entiendo del español.

Es 2005 y junto a la puerta, todos susurran sus planes e ideas. Nunca sé a ciencia cierta cuál es la última, pero he aprendido a dejarlos planear, como si la vida fuera una sorpresa tras la otra. Algunas veces proponen el restaurante para la cena, otras retoman la fiesta de “Bienvenido a Bolivia” de un amigo de Sydney que nos debe la visita. Él está retrasado, pero la fiesta sigue adelante sin su homenajeado, con Silvia cocinando un pastel de quinoa, grano cultivado en los Andes que tiene supuestas propiedades medicinales. Carlos y Rosmary traen los suministros y el Sushi vegetariano, que solo ellos saben dónde encontrar. No se vende en ninguna tienda, así que hay que saber que puerta tocar para obtenerlo. Marina trae manzanas y Remy un postre rosa estilo Mousee.

Marina le pregunta a la señora Mumbai dónde está esa tienda a la que ha corrido, en la que ha comprado el saris y donde se vende el bindi indio que usa y cómo puede obtenerlo. Cuando todo está listo, Marina me pregunta si Silvia habla correctamente el inglés, porque la escucha hablarlo fluido y osado y ella misma no está segura. Le digo que “el inglés de la señora Mumbai es perfecto” y ambos reímos pues, de alguna manera es verdad. Finalmente, reto a Carlos a que beba agua de su vaso con palillos chinos y con eso se gana la máxima calificación en el próximo examen.

Estos planes susurrados nos hacen volar hasta un lejano fin de semana, en casa de Silvia, ubicada entre el valle de la Luna y el del Sol. Comemos y bailamos, mientras Carlos usa su pañuelo al mismo modo que los kurdos. Y de las conversaciones surgen preguntas, tales como: ¿Bolivia es un buen lugar para vivir? Ellos saben que he viajado por todo el mundo, así que esperan todos expectantes mi respuesta: ¡Claro que sí!

Es 2005 y Rosmary pregunta de nuevo ¿Pero dónde te gustaría vivir definitivamente? Le digo que no lo sé, pero insiste: ¿Dónde sientes que está tu corazón? ¿Cuál es ese lugar donde residirías tú feliz?

Es sorprendente como las grandes preguntas de la vida, tienen respuestas rápidas y sencillas. Pregúntame si quiero azúcar en mi té y me demoraré unos segundos en decidir; más, para esta pregunta de Rosmary solo hay una respuesta obvia e incuestionable ¡Más que en cualquier otro lugar del mundo, viviré en Bangladesh!

¡Entonces te establecerás allí! Afirmó categóricamente.


Moraleja: esta situación es llamativa, como un rojo iris sobrevolando el bosque de Trinidadean o tan errada como ser confundido por un esquimal en el ártico noruego. Las cosas son como son, tan sencillas como para interpretarlas en una conversación común; una frase que se entiende al vuelo, sin rebuscamientos, como la música. Es tan simple como una gran montaña, enmascarado semejando algo diferente, pero es así. Contemplando mi vida en Dhaka, no es del todo incorrecto concluir que es similar a los bolivianos, como estar encerrado tras la puerta de una gran ciudad. Y no es del todo incorrecto culpa a Rosmary, cualquiera puede hacerlo también.


Una vez más, supongo que nada malo podrá venir jamás de improvisar, de planificar siguiendo los consejos de un susurro tras la puerta.



Traducción por: Alin Hidalgo Fonseca


Whispers at the Gate




Is it more the Bangladeshi sour Noakhali curd or the sweet Bogra variety?  Is it the availability of snacks along the street or that small thrill of having crossed a Dhaka roadway and lived to tell about it?  Is it the storytelling or the sense of community; the trying to take up some of that unstoppable cheerfulness street side or leave behind a little individualism in favour of a focus on human connection?  Why do I live in Dhaka?

The up-down, here and back again, deshi memories cover a lot of ground and to think of all there is to think about is time-consuming and wearisome.  It’s really much simpler to blame my living in Dhaka on Rosmary.  And I do.

But I suppose nothing bad could ever come from the whispers at the gate, the whispers that were.

It’s 2005 and the doctors’ class finishes at 9 p.m.  The day crowds are gone from Avenida Arce: the Aymaran ladies bustling by in the morning in their broad skirts and bowler hats are at home; the short, suited gentlemen who maybe work in a bank are done with their evening commute; even the shoe-shiner kids who in La Paz, Bolivia, wear balaclavas to protect their identities because shoe shining is not an esteemed profession, and who sometimes sniff glue, have found a better place to be.

The Language Institute Director, Robert, waits as always for my class to finish, the last of the day.  In turn he asks that I wait while he locks up.  The Institute is in an old house, white and brown, with a long driveway and a few trees in the front yard; and it’s not entirely comfortable to be there alone at a latish hour.  As he sets the alarm he’s narrating some anecdote, preferably with a pun in it to give an alternate, wittier meaning.  The students, professionals by day, wander up the driveway towards the street and on the footpath they linger.

Carlos is the only physician in the doctors’ class.  He’s very humorous: in class he corrects his sentences from ‘I went to the city yesterday’ to ‘I went to the city last week’ because he’s not sure how to spell ‘yesterday.’  Remy is thoughtful.  A dentist from high up on the city’s eastern hills she brings me apples or biscuits, not as a bribe… she gets the top mark anyway.  Marina my landlady is there if she can make it, if she’s not off on a knitting expedition for the knitting cooperative to some far-flung village. 

And Sylvia from the south of the valley has English that flows like her silk scarves and saris, or salwar kameez, what she likes to wear despite it not being her tradition by culture.  She’s not to be bothered by linguistic forms or grammar and I love it: the audacity and the bravado in her need to communicate regardless.  And as her teacher I suppose I shouldn’t love it, but I do.  ‘I am Señora Mumbai!’ she declares, adopting the pseudonym Marina gave her after one long-winded, exciting and almost grammar-free tale of her first trip to Mumbai.  And indeed she is Señora Mumbai.  There’s none like her. 

Carlos sits upon his motorbike, ready to leave, waiting for his wife Rosmary to climb aboard.  She completes the class.

It’s 2005 and it might be because of the padlock they are given to footpath lingering.  Robert grimaces as he fiddles with the chain and attempts to click the lock shut.  He asks me to try.  Meanwhile they’re talking.  You’d think they’d be tired after one and a half hours of English but at the end of the lesson Spanish re-emerges, released from banishment, and the language in its newfound liberty bursts out into energetic conversation like a bull released into a bull ring.  


Marina is laughing at something Sylvia said; Rosmary is explaining how her mother-in-law mustn’t know about the motorbike, how she has to get off it early, up the street, and check the coast is clear before Carlos can ride it into the apartment garage… I shouldn’t be writing that but Carlos’s mother doesn’t read in English and this article will publish on the other side of the world.  Remy discusses her bathroom renovations and the colour of tiles or her dancing practice.  But I tell all this only from the translated portions and the Spanish snippets I understand. 

It’s 2005 and mostly at the gate they whisper plans.  I never know what the latest plan is and I’ve learnt to let those whispers be.  It’s just as well if life has a few surprises in it.  Most often they whisper restaurant dinners and then they whisper together a ‘Welcome to Bolivia’ party for one of my Sydney friends who’s due to visit.  He’s late but the party goes ahead without its guest of honour and Sylvia cooks a quinoa pie, quinoa being a native grain of the Andes that is supposed to be healthy.  Carlos and Rosmary provide the premises and the main course of vegetarian sushi, featuring a Japanese salt available only at a single shop in the south of La Paz, a shop which isn’t actually a shop and involves banging on a private gate only known to those who know!  Marina brings apple pies and Remy offers a pink, mousse-style dessert.

Marina asks Señora Mumbai where the little shop she runs is exactly, the one selling saris and from that starts a long-winded story of the Indian bindi she is wearing and how she came upon it.  When she’s done Marina quietly asks me if Sylvia’s English is correct when she speaks, because it’s bold and flowing and Marina’s not sure.  I tell her Señora Mumbai’s English is more than perfect which makes us both laugh because in a way it’s true.  And I challenge Carlos that if he can drink water from his glass using chopsticks I’ll give him a hundred percent in his next English test. 

Whispers take us further one weekend, to Sylvia’s house that lies between the Valley of the Moon and the Valley of the Sun.  We eat and dance, with her and Carlos waving handkerchiefs about like Kurds do.  And from the whispers, in the parties that arise are the interesting questions like, ‘Bolivia is an okay country isn’t it, for living?’  They know I’ve travelled and it’s all ears for my response. ‘Yes, of course!’

It’s 2005 and Rosmary asks, ‘But where will you live eventually, to settle?’  I casually say I don’t know and she says, ‘But where is your heart?  Where is it that your heart lives?’

It’s striking how sometimes it’s the big life questions that have the easiest answers.  Ask me if I want sugar with my tea and I’ll take a moment to decide; but to Rosmary’s question the answer was obvious and undeniable.  ‘More than anywhere else, it lives in Bangladesh.’

‘Then you should settle there,’ she said.

Wisdom: it’s as conspicuous as a scarlet ibis flying through a Trinidadean mangrove forest, which was to come; and as unusual as being mistaken for a local in the Norwegian Arctic, which had been.  It comes in small packages, short sentences that stand out amongst the routine chattering that has no more sense to it than clattering of cutlery has music.  It stands out amid the mountains of poor quality advice masquerading as something more.  Wisdom: in contemplating my living in Dhaka it’s not entirely incorrect to conclude it’s a Bolivian thing, a matter of a tricky padlock at a city gate.  It’s not entirely incorrect to blame Rosmary.  You can too. 

Then again, I suppose nothing bad could ever come from the whispers at the gate, the whispers that were.

The class and friends

Under the Sky, Not Far



Photos by Bernarda Asisti



















High in the mountains of Urmiri, Hotel Gloria sits like stupid poetry.  Tucked into a minor Andean crease in the South American shirt, beneath the great plateau, the Altiplano, the lodgings at the end of the road, and without a nearby town, are unexpected.  Above, the Andean day-skies are of their usual intense blue and it feels as though they hold the power to, with some great invisible ropes, lift those very mountains into place and keep them there.  Maybe they do.  The sky feels close enough that you could touch it.  Maybe you can.

Yellow and somehow Pyrenees-looking the hotel may be, but its character is unmistakably Bolivian, from the dust in the wind to the bowls of round-potato soup and the llama steak on the dinner plates.  Just a few hours from La Paz, it’s not at all a bad destination for a weekend getaway.

The mountains of the zigzagging, narrow and dusty road in from Calamarca are brown and bare, and with the steep drop just beyond the road’s edge, with the hairpin bends and an old road tunnel, arrival is accompanied by a degree of trepidation and a sense of adventure.  For most of the way, there is only the gigantic valley, with the squares and lines of Urmiri village just discernable, far below, and further still, the winding fold at the lowest point of the valley to signal the flow of a small river.  It is only in the final stages of the doodle-of-a-road that the hotel comes into the picture, and there’s the dawning of the green to be seen.

That singular gully has been stone-by-stone terraced into gardens of wattle, geraniums and daisies.  Beyond the building are paths to follow, on a small scale, among clusters of palm and gum trees, between beds of variegated succulents in whirlpool design, and there are log seats to be found in small manicured patches of lawn that seem as temple-clearings to the ever-pervading Bolivian sky, or are perhaps for the giving of quiet reflection to poets.  There’s a small chapel in the garden in remembrance of that later God too, the one who immigrated to South America with the Spanish.  It’s that juxtaposition of organised greenery in the untamed mountains that surely would have made Wordsworth blabber and T.S. Eliot smirk.

The Andes are young mountains, twisted into place by the later tectonic disputes between the Pacific and South America.  The backbone of the continent, the mountains act as water source for the steamy jungles to the east; the Andes let the jaguars drink.  The mountains are also the birth vessel of the indigenous civilisations, earth mother of the Quechua and the Aymara.  Hotel Gloria is there now as rest stop for city dwellers, offering the choices of when to eat, when to walk about and when to do nothing.  The featured choice however, is not among these, but is rather when to swim.  In that reclusive gully the young Andes offer mineral pools, heated, steamy and pungent.  

On closer inspection the gully-of-the-pools is in fact two little gorges folded out of the mountain like the wings of a Japanese paper crane, and each is touched white with mineral residue as though Pachamama, spirit of the world, has cleaned her teeth there and forgotten to rinse out the sink after she was done.  On closer inspection the steaming sulphur-water gushes out of the dry creek bed like little stanzas and tumbles over the small mineral stalagmite constructions like rhymes and assonance.  The water flows into the black pool that has been constructed for swimming. 

The decision for me, the two Britons and one Kiwi was to swim of course and stepping in for the first time I wondered at how the mountains had made the spring, how the spring had made the yellow hotel and how the yellow hotel had made the flowers.  It’s the circle of life.

And after the first swimming session, and after lunch, we sat sleepily up on the front lawn and there was a donkey far below, with a boy and a dog.  I watched as they clambered, wandered, kicked and whistled down the zig zag steepness of goat trails, around cacti, being reduced to specks of movement on their way into the village.

I shifted into the cabana shade to continue the inactivity, wondering if donkeys and boys and dogs ever put a foot wrong and slipped.  Do the mountains ever take them?  But such were only my thoughts.

A Persian sitting there may have dissected the scene into tight intellectual squares and composed lines of tight verse.  A middle class Indian family might’ve unfolded a mat and sat to share food and chatter in honour of the beauty.  A Bangladeshi might’ve been in awe with a slight pitter-patter to the heart at the altitude and the steep drop in the land, while Ukrainians might’ve been more inclined to laugh and look for a bottle of wine to open in celebration. 

Yet this Australian with his friends was given to returning to the pool where the water held enough heat to warrant alternating between swimming and taking gaps of exposure to the cool Andean air.  He noted that it was at the pool where all the Bolivian guests were.  For them the mountain setting was usual rather than out of the ordinary; it was the spring water that was rare.

That night the Milky Way shone as a short, sharp stripe between gaps in the ragged higher hills.  And we swam once more. 

There was a shooting star that seemed, with a strong band of light, to divide the sky in two, nearly down to the horizon.  And when they saw it, the Britons started discussion on what a shooting star actually was, and they asked me.  I wondered if they’d never before looked up into the night sky and if that was so, then how was it possible for them to properly contemplate how small we are?

‘It’s the first shooting star I’ve ever seen,’ the Londoner said. 

I set about explaining the meteor basics in accordance with science; but it might have been better in the context of the mountains of Urmiri on that Starry, Starry Night, to have answered instead in verse, something about the spine of South America or Pachamama’s teeth, something of their Byron or Coleridge, something concerning the sky holding up the mountains or the birth vessel of the Andean peoples.  It might simply have been better to have attempted some kind of stupid poetry because it might have been more accurate.

Photo: Bernarda Asistiri

Anatomy

The Anatomy Lesson of Dr. Nicolaes Tulp by Rembrandt, 1632 (image: wikipedia)


People get nervous when they have to give a presentation.  Some like to write the whole script beforehand and meticulously memorise what it is they’re going to say.  Others prefer the safety of palm cards, with the major points jotted down lest they forget to include everything.  Once I heard that if you put deliberate weight into your feet, pushing against the carpet, it can act as a kind of extra stability that stops the nerves from getting the upper hand and I’ve found that works.  But for the more radically minded, if those techniques are not enough, there’s always the strategy of enlisting a little assistance from beyond the grave.

There’s nothing better than a good prop to garnish a presentation.  In an English assessment for example, a visual aid can divert attention from grammar imperfections, stumbling vocabulary and a lack of planning beforehand.  Fernando knows this.  That’s why, when I asked him to give his presentation to the class, he promptly unzipped his backpack and pulled out a genuine, bona fide human skull.

It’s not that the unexpected is exactly out of place in the Bolivian capital of Nuestra Señora de La Paz.  With regularity the streets are blocked by marching bands and dancers twirling and weaving their way in syncopation for several kilometres at a time, for festivals and in rehearsals for festivals.  With regularity the streets are blocked by protests, by villagers airing their grievances or students chanting slogans with banners unfurled to be met with tear gas and water cannons.  And when the miners come they’ve been known to light sticks of dynamite and call out a warning to stand clear before hurling it to a spot where no one is likely to be injured.

Indeed La Paz is a city where the bulk of the mountains to the east cut from the sky a jagged horizon, and the shadow of crevice, crevasse and cliff provide a foreboding backdrop as the denizens go about their days.

Neither was the unexpected exactly out of place at the language institute.  It was housed in a former mansion and there were rumours that a ghost used to wander between the upstairs classrooms.  Some of the Spanish teachers claimed to have encountered it. 

There were odd stories of various happenings like the day Sergio mentioned that he’d been unable to attend the previous class due to his uncle’s funeral.  His family had been very upset, he said, until his uncle came back to life!  He was asked to clarify.  As the coffin was being lowered into the grave, Sergio said, the family had heard a strange knocking sound from inside.  The coffin was opened and it was discovered his uncle had not, in fact, died.  Sergio’s family was overjoyed after that, he said.  ‘Okay, well try not to miss class again…’

And on the second of August when fires burn across the city the language institute is no exception.  It’s an auspicious day on the Aymaran calendar when businesses seek the patronage of the benevolent Pachamama, the mother-spirit of the world by performing the challa ritual.  At the institute a traditional priest, a yatiri, was called to perform the ancient ritual that would bring blessings to the business for the coming year. 

Yatiri means ‘someone who knows,’ what distinguishes them from others in the community, and by tradition they have been struck by lightning, which is understood as a calling to undergo the initiation as a yatiri; indeed it is believed that with the lightning strike the person has died and passed through death onto rebirth. 

He was an old man, small and wrinkled, sporting a dusty jacket and a felt hat; and he set about laying newspaper on the floor of the reception area, followed by butcher paper, as a bird starts to build its nest.  From black polythene bags he produced various other items, white llama wool, multicoloured cotton wool and sacred coca leaves.  To the spectators he offered a few coca leaves to chew, a custom not dissimilar to betel chewing in Bangladesh, before busying himself adding a variety of what look like large lollies or mothballs: round ones, flat ones, brightly striped and pink ones, to his arrangement on the floor.  He called each of the spectators in turn, placing in their hands a few of these ornaments to add to the offerings, before reciting prayers to the mountain spirits, to the water and the sky.  Some shreds of llama fat were added before further prayers and then lastly, from another black polythene bag he brought forth the hard, black, dried llama foetus which he subsequently started to wrap in more cotton wool.  ‘He’s dressing it,’ the institute director told me.  The foetus symbolises life-force.

A fire was stoked in the room’s hearth, for the reception area was once a drawing room, and the yatiri poured local alcohol called chicha into a glass.  In accordance with Aymara ritual he walked around the room tipping a little onto the floor in each corner in tribute, before throwing the rest onto the fire.  Each of the spectators repeats the custom in turn.  He then does the same once again only substituting alcohol for kerosene, interrupted only by a call on his mobile.  Lastly the offering he’s constructed on the floor is placed above each person’s head, with a blessing said, before being transferred to the fire.  The ashes will be buried on the following day in the garden, the year’s blessing completed.

Such ceremonies are common across Bolivia, on the second of August and at other times, including at government occasions and functions.  In new buildings in La Paz, a sacrifice to Pachamama is a pre-requisite, with a llama foetus buried in the foundations.  For larger premises an adult llama is sometimes used to infuse life force, and there were other, more disturbing rumours…



Study of skeletons, Leonardo Da Vinci, in 1511 (image: wikipedia)



‘I will talk about anatomy,’ Fernando said of his presentation, and as one of his medical specialisations it was a subject close to him.  He used to lecture in anatomy at the university as well as working in a hospital.  It’s the reason he had access to bones.

For the next ten minutes he pointed from eye-socket to jaw bone, successfully diverting attention from confusion between the present simple and simple past.  The nose cavity disguised various pronunciation foibles and the hole for the spinal column captivated as he searched for the English version of the Spanish skull-related vocabulary that he knew so well.  It was a female skull he explained.

There were questions.  ‘What was the possible cause of death?’ asked Karen.  ‘When you are working with dead bodies in the lab, did you ever see one move?’ asked Bernarda.  ‘Don’t you feel a bit horrible working with dead bodies?’ asked Katherine.

Then it was Marcio’s turn.  He was the seventeen year old whose life ambition at the time was to become wealthy before retiring to a cave to live as a hermit, so he once said.  His question: ‘Can you get me one of those to use as a lamp in my bedroom?’

From there the conversation turned to body-snatching and the possibility that skeletons might indeed be available at the city’s cemeteries.  ‘You get used to dealing with dead bodies,’ Fernando explained, ‘We need them for training.  I always have a few bones in my backpack.’  Fernando: there’s no doubt he’s an accomplished medical practitioner, but he’s not great at completing his English homework, just quietly.




When English class is done, it can be fun to slightly cross an international border without, exactly, realising... or to hang out with Babul the crab seller, or maybe kind of stay in a cupboard by way of hotel accommodation...


This article also published by Star Magazine, here: Anatomy



At Home in Bolivia: Article Index for articles about Bolivia



From Bolivia, with Love


Mrs. Das models her alpaca sari-shawl

Like a line of porcelain dolls they sat, one, two and three, on the couch in that living room three thousand six hundred metres and nine floors above sea level.  There was no mistaking them in their multi-layered skirts, with their long plaits either side, in their cherished bowler hats.  They were ladies of Aymaran stock, indigenous citizens of Bolivia.

Knit two, purl one, so the patterns went, knit three, purl one, as the knitting needles clicked, as the ladies transformed the library of yarn on the shelves about the living room into jumpers, knit two, and cosy woollen hats with ear flaps, purl three, or vests for spoilt pet dogs in the cold-climate west.  The fleece was especially soft and warm, as it was not sheep’s wool but from alpacas, that smaller relative of the llama to be found in Bolivia’s villages, knit one.  They knitted items for export; they knitted for an essential salary in Bolivianos.

We had few words, knit three, purl one, for my inadequacy in Spanish was oftentimes equalled by theirs and of Aymaran I knew not a word.  But I could smile and say, with flexible grammar, simple things like ‘would you like a cup of coca tea?’  Their chatting would stop, knit two, they’d giggle to each other, purl one, and agree.

In the kitchen I arranged the metallic camping mugs, one, two, three and four and got to work on making the local brew, easy enough with just a coca tea bag and boiling water.

The apartment in the Bolivian capital of La Paz belonged to a knitting cooperative, and they were village ladies, oftentimes victims of domestic violence and / or single mothers.  I taught English but in that space I’d rented a room.  As the steaming yellowish cups of coca tea met the coffee table they’d smile and giggle.  Coca tea can prevent altitude sickness and remove hunger, but we liked its taste, knit five and purl two.

‘They’re not used to being served tea by a man,’ my landlady, also my student, explained of their laughter.  These were the little things that once were, in that place so far removed from the Bangladeshi delta.  It was near time to leave Bolivia when I bought the box of coloured pencils.

Little gifts for Hatiyans, it was always hard.  Sometimes Australians would say, ‘just take a bunch of second-hand clothes.’  I don’t suppose you can expect them to understand the difference between charity and friends.  I’d always had a budget but wouldn’t be giving anything I wouldn’t be happy giving anyone else; and it should be something a bit special.

Example: in Bolivia they play zampoñas or pan flutes, traditional instruments for mountain music, of many bamboo pipes of varying length arranged vertically; unlike the horizontal standard flute.  The player has to move the instrument across their mouth to blow in the tube that makes the note they wish to play.  Nashir used to make his own flutes, he taught himself, and some evenings we’d walk Hatiyan villages and he’d play flute songs to our Chad Mama, or Moon Uncle.  In Bolivia, Nashir’s gift was an easy choice.

Nashir with his Bolivian Flutes
 
The women were always harder.  For men lungee would do it.  The Indonesian lungee is of thicker cloth and is longer; hotter but more robust than the Bangladeshi variety.  I’d bought a stack of those once in Kuala Lumpur on my way towards Dhaka.  The shopkeeper had been surprised.

So I sat with coloured pencils and paper, picturing the brightness of saris, mapping patterns of Hatiyan inspiration.  With slight embarrassment I showed my amateur sketches to my landlady, the head of the cooperative.  ‘Can the ladies knit those?’  I tried to tell her of the delta island villages; where the shawls they’d make would go.  But honestly, who can explain Mrs. Das? 

I was back in Sydney when the packages arrived.  My landlady said the ladies had really enjoyed trying new patterns and colours, knit six, purl two.

About a month later I flew to Dhaka.  Amma, my Bengali mother, said the size was a little small: that was my doing in part, but also how they’re worn in La Paz.

Hatiyans know about gifts much better than westerners do.  I’d always marvelled about how if you gave anything to Situ’s kids, within minutes they’d be shared: there was a bunch of cheap bangles for his daughter once.  Soon all the neighbours’ daughters had one or two on their arms. 

And I won’t forget the perfume.  I’d bought the one my Australian mother and sister liked, a bit expensive but cheap-smelling I couldn’t give. Mrs. Das, my Didi, you know what she did?  Bless her.  She opened the bottle and sprayed everyone in range with some.  She shared.  As I watched those fine droplets propel into the air towards her son, her husband and the neighbours: a kind of alchemy I knew it to be.  She was turning materialism, no less, and possession, into community and love.  It was so simple.

And the shawls, and the Bolivian tablecloths I’d bought at the witches’ market in La Paz, which in Hatiya became shawls, they were shared.  Mrs. Das’s son would as often wear hers; in another house, knit two, purl one, it kept toes warm in the winter nights.  How I wish the ladies could meet their Hatiyan counterparts.  Communication would be hard; but I’m sure, knit three, purl one, they have much in common.

I tried to explain the Andes Mountains and the desolate villages of the Altiplano where potatoes grow between icy winters and droughts.  In the delta I tried to explain the alpaca.  But honestly, who can explain what one of my Bolivian students had once called ‘the strange country in the middle of South America?’

A year later back in Bolivia, in that living room, just quietly, I noticed a few of my little pattern creations had found their way into some of the other items, knit one.  From my pencil maybe they’d come, but in inspiration, purl two, they were patterns from Bangladesh, with love.

As for Nashir, I don’t know if he ever mastered the pan flute like he manages with his home-made ones, though he could certainly get a better sound out of it than I could.  I’ll have to ask him.  But a few years later I saw it at his house in the glass showcase.  He told me a Noakhaila family had wanted to buy it for a sizeable sum.  I wouldn’t have blamed him if he’d sold it, knit two, but he’d told them, purl one, it was a gift and not for sale.







And... knit two, pearl one, read about the benefits of life in a mega-city, knit three, pearl two, peruse the 'can I be your pen friend?' tour, knit five, pearl four, enjoy the challenge of the luggage mafia...  Your new jumper is now ready.  Pattern completed.


This article also published in Star Magazine, here: From Bolivia, with Love


Rubban in her Bolivian Tablecloth cum Shawl





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The Meaning of Seeing Things


Sydney, Australia.
When you’re at school in Sydney it’s quite a thing to wear glasses. They can be a beacon for bullying; inviting all sorts of taunts from immature minds unimpressed by what was sometimes called ‘facial furniture.’ It must be quite a challenge to self-esteem; one can only imagine. I couldn’t say for sure since I’ve always been blessed with twenty-twenty vision.

Hatiya, Bangladesh.
It was just another moment in the tea shop, years ago; the usual one in Hatiya, Noakhali. Late afternoon was giving in to early evening. The tea was sickly, the conversation as the breeze, without strength and waning. In such moments there’s little to do but gaze across the strip of road that gives way to the bridge over the canal, and ponder what merit there is in breathing-away an afternoon in such fashion. My village friend Situ was there, similarly waiting for some conversational front to arrive and stir the place to humour or interest. That’s when the pair of glasses came in the uneven doorway of the shop.


They belonged to a university student, hair carefully combed, shirt tucked in; neat, respectable and typical. He sat a bench or two behind us.

‘Those glasses aren’t real,’ Situ said. ‘What?’ I asked, slightly smiling at the unexpectedness of the statement. ‘They’re not real. They have plain glass,’ he said, ‘Young people wear them to look smart.’

I suppose it’s not surprising, given people pump toxins like Botox into their faces to enhance their looks, but in the village it was amusing. Why indeed if it was a matter of fashion he could not have chosen sunglasses like everybody else? ‘You’re not serious?’ I said to Situ. I had to be sure.

‘Excuse me?’ I said to the guy, ‘I need to borrow your glasses.’ He took them off in that unquestioning, nonchalant way villagers do; in the village things generally run their course unchallenged, everybody wanting to see, without a hint of prediction or inquiry, what will happen next.

It was uneventful. Sure enough, they were fitted with plain glass.

A few moments later the glasses were gone, off towards the bridge over the canal and their home. Situ and I took amusement from the absurdity of human beings, playing with others’ perceptions in such a futile way; what is there to do about vanity?

La Paz, Bolivia.
The trouble with South America is it’s a long way from Hatiya. I used to feel that when I lived there; why I’d made my English class study Tagore, so at least we could talk about Bengal. You won’t find him on any syllabus.

The Bolivian capital is an unlikely city, clawed out of an Andean valley three thousand six hundred metres above sea level. It’s the world’s highest capital. In La Paz, the sunset is one of shadows rather than light, as the rim of the high plateau sends a gradual line of darkness across the bowl of the city. The temperature drops a few degrees at the shadow-line; noticeable enough to want to stay sun-side for as long as possible.


It was at that time, as late afternoon was giving way to early evening, that I’d met my student Bernie by the witches’ market. A thirty-something-year-old secretary, she’d asked to meet because she wanted to buy me a farewell gift, for I was set to start a new job in Nicaragua. She wanted to present me with a traditional Aymara coat, in black and red with pre-Columbian style embroidery across the front and sleeves; easy to find in the souvenir shops in that part of town; shops that competed for space with those selling the supplies of ritual offerings: potions, twigs, coca leaves and dried llama foetuses, used by local ‘priests’ in sacrifice to Pachamama, the mother-spirit of the Andes. Pre-Columbian religions live on in Bolivia.

It must’ve been because I was leaving La Paz, a city that had become familiar and full of friends. It’s probably why I remembered Hatiya, the village I’d also regularly left, and funnily enough those glasses came to mind.

Wearing my new coat I let Bernie lead me down past the grandeur of San Francisco Church and across the square to where there were yet more stalls of clothes and trinkets. In more or less an unbroken row were the sellers of glasses' frames, which came with plain glass in them when you purchased them. I’d told Bernie the story; we’d decided it might be amusing if I wore plain-glass glasses to my farewell party, where I would be able to take ‘glass-wearing’ photos to send to Situ. He’d laugh when he opened the attachments on a computer in Dhaka.

There was the usual bargaining with sellers, and we’d laugh as they offered discounts at the optometrist’s to have the prescription lenses fitted. Eventually I settled on a black steel-rimmed pair Bernie said suited.

The following afternoon, the last of several farewells, since Bolivians were rather social people, I sat at a touchingly long table on the lawn of a restaurant in the fashionable Zona Sur district of the city. Zona Sur is at a lower altitude, and thus warmer. Another student, a doctor called Fernando was there, as I waited for the other guests, for Bolivian time to reach the place. Bolivian time is somewhat later than Bangladeshi time. As we waited I played with my glasses.

As a prop they were great. With Fernando I’d practised the various postures: the pensive glasses hanging by one of the handles from the mouth; the confrontational looking over the rim whilst addressing people; the holding them in your hand for emphasis like a pointer; all the opportunities people who really wear glasses have.

I asked Fernando if they’d work in the classroom, and rehearsed ‘do your homework’ with glasses on and off, asking which was more compelling. ‘If you wear those people won’t talk to you,’ he joked. ‘Why not?’ ‘Because you look so intelligent they’ll be scared they might say something stupid!’

The guests arrived. ‘I didn’t know you wore glasses?’ everybody said. They’d known me for more than a year and never seen glasses before, and here’s an interesting thing; people are so unwilling to trust what they know. ‘Try them,’ I tempted, and one after another they put the things on. ‘Do you need them only for reading?’ some asked. ‘The prescription is very minimal,’ many said, being too polite or unsure to challenge me outright. There was only one student with enough courage to say it: ‘These are not real!’

Through lunch in the afternoon sun they heard of a rustic tea shop in Hatiya and the glasses became the source of much mirth. For me it was especially nice, since with them just sitting there on the table, it was as though in some way the village at the flatland mouth of the Meghna was sharing the enjoyment of the high-Andean gathering.

Granada, Nicaragua.
Glasses are quite annoying. I can understand why people take them off, how easy they are to lose; leaving them on a table or the arm of a chair. My little experiment taught me that, especially in Nicaragua.




I’d settled into one of those gorgeous colonial villas, Spanish-style, that make up the city of Granada. It belonged to an ageing couple who’d taken to renting rooms to travellers, mostly Americans.

There was an open courtyard in the middle of the house; the spacious tiled living room on the street side; and many bedrooms including mine, a little wooden add-on up a few stairs in the corner. The very Catholic household was shared with two kindly servants, a parrot, a cat, and two turtles in a bucket.

There were many guests, but it was an American girl, Christine, who I’d become friends with; and although there were always departures and arrivals, it wasn’t all the guests the Nicaraguan couple started calling ‘son’ and ‘daughter’ like they had with us. For me it was quite a feat since they spoke no English and my Spanish was worse than most of the guests.

When not teaching English, when Christine wasn’t helping at the orphanage, we used to steal across the street where there was a café specialising in iced coffee. It was a godsend in the Nicaraguan heat. I recall our Nicaraguan mother making incredibly tasty yet simple meals of beans and rice; father calling us to the table from across the street. I remember too how father, when we’d walk down the street, used to yell after us, ‘la sombre! La sombre!’ It means, ‘the shade! The shade!’ He wouldn’t let us walk on the hotter, sunny side of the road.

Christine was rather impressive; a literature graduate who wore glasses herself, and all kudos to her, as soon as she tried mine she declared them a fraud. I told the story of a Hatiyan tea shop and a La Paz restaurant.

There are photos of me around Granada wearing glasses. The house guest who’d accompanied me to take them thought it odd I only needed them for photos; so I told her the story too. When we got the prints back she’d said, ‘You know, you really do look better in glasses.’

It happened many times: my Nicaraguan mother or one of the servants had come across my glasses lying somewhere around the house. As caring as they were, they’d put them aside, warning as clearly as they could manage in Spanish, ‘You should look after your glasses. You’ll lose them.’ There was only Christine to provide the knowing, bemused look.

Meanwhile I’d loaded the Granada glasses photos onto the internet, typed the address for Dhaka and pressed ‘send’, to make Situ laugh.


Sydney, Australia.
These days those glasses live on a shelf somewhere in the Sydney house, a pair of innocent-looking respectable spectacles that cannot improve anybody’s vision but mine; for just to hold them is to conjoin the unwinding of a lazy Hatiyan afternoon, the communion of a La Paz farewell and a home in Granada with a parrot, a cat and two turtles in a bucket.

In Hatiya I don’t see that guy wearing the plain-glass glasses anymore. Fashions have moved on, and the latest, all the rage in Kolkata, would seem to be those jeans with random pleats in their legs so as to make them look perpetually unironed. Now why would anyone wear jeans like that?




Feel like getting Nicaragua noisy, knitting yourself silly in Bolivia or fishing and floating in the Bay of Bengal?

This article also published in Star Magazine, here: The Meaning of Seeing Things





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